 
 Happy New Year! everyone in the oppressed masses!
 
  
Moderators: pompeiisneaks, Colossal
 
  
  
Actually it was Mark Huss who works in a huge bank.nickt wrote:Hey Dart - you said you work in a BIG bank, well so do I. With the sub-prime crisis they immediately started talking layoffsdartanion wrote:Work smarter, not harder!!!
Yeah, right. Expect everyone to work overtime as you do the work of 4 people. No extra pay though. Exempt employees don't get overtime.
CEO pay up 400%
Average working stiff is losing ground every year.
Seems fair right?but magically two months later they reveal yet another record profit - do these eegits have any idea what they're doing?

Had a thought recently - over the last 500 years politically we've gone from a rabble of landed gentry, to absolute monarchs, to revolutions, to democracy (possibly to rolling back democracy). Seems we're still at the absolute monarch stage WRT multi-national corporations
Opps... sorry about that...dartanion wrote:
Actually it was Mark Huss who works in a huge bank.
 
 But there *is* a parallelI own my own IT consulting firm, but work exclusively with pharma, biotech, and medical device companies huge and tiny. I've seen it all. I am usually brought in in to clean up messes created by incompetent management. I am not complaining at all as I am doing pretty well, however my revenues are down over 50% since 2003. The amount of work hasn't decreased, demand is still very high. The numbers of potential clients has increased. The problem is that clients won't pay a decent wage for experienced consultants anymore. Everything is done on the cheap these days.
 I'm in IT development and used to work in scientific/medical instrumentation back in the 80's.
 I'm in IT development and used to work in scientific/medical instrumentation back in the 80's.    
  
  
   
Part of the problem is that we continue to see legislative solutions to engineering problems. That's not entirely a problem, without EPA and DOT standards we wouldn't see fleet mileage and air quality improvments. The problem is that we're also saddled with unnecessary levels of complexity to satisfy increasingly onerous laws.Tubetwang wrote:Disconnnect the battery in your new car.
You will need to go to the Dealer for a radio reboot.
No... your car shop mechanic can't do it.
He too, needs to send it to the dealer, because, he does'nt have the tools or the knowhow. It's a kept secret.
Now... that is progress...
Why do i drive an E-Bike?
It's the "bigger is better" thing that's the sick part of our culture. Let's bring this back to amps... there are still guys who think they can't play unless they have a 100 watt stack or something like a Mode 4. That's great, run the thing with the volume barely cracked then buy guitar after guitar and pedal after pedal trying to to get "the tone".dartanion wrote:No we don't NEED huge SUVs that get horrible mileage, but the auto companies and oil companies certainly want us to buy them.
I reckon every working [rock/electric] musician knows that 5W to 15W is hopelessly inadequate unless bucks are invested in big PA to re-amplify. You can have all the tone you want but it must be heard. No good living in 15W tone heaven if you need 70W or 102dB spl clean for disco chops to be heard in theschool gym.CaseyJones wrote:It's the "bigger is better" thing that's the sick part of our culture. Let's bring this back to amps... there are still guys who think they can't play unless they have a 100 watt stack or something like a Mode 4. That's great, run the thing with the volume barely cracked then buy guitar after guitar and pedal after pedal trying to to get "the tone".dartanion wrote:No we don't NEED huge SUVs that get horrible mileage, but the auto companies and oil companies certainly want us to buy them.

There you go, "to be heard in the school gym" with a crappy P.A..Ears wrote:I reckon every working [rock/electric] musician knows that 5W to 15W is hopelessly inadequate unless bucks are invested in big PA to re-amplify. You can have all the tone you want but it must be heard. No good living in 15W tone heaven if you need 70W or 102dB spl clean for disco chops to be heard in the school gym.CaseyJones wrote:It's the "bigger is better" thing that's the sick part of our culture. Let's bring this back to amps... there are still guys who think they can't play unless they have a 100 watt stack or something like a Mode 4. That's great, run the thing with the volume barely cracked then buy guitar after guitar and pedal after pedal trying to to get "the tone".
Don't tell Beethoven!CaseyJones wrote:When you're deaf you're not a musician anymore.

Not to mention it muddies up the FOH mix.High sound pressure levels onstage makes deaf musicians. When you're deaf you're not a musician anymore.
 
 "The exception is the rule".mlp-mx6 wrote:Don't tell Beethoven!CaseyJones wrote:When you're deaf you're not a musician anymore.
You can get away with a mix in a small venue that simply won't work in a large hall. Nothing will tell the story quite like tapping the mix on the way to the amps and recording it. Use an old fashioned cassette recorder, digital clipping can be pretty ugly. Save the pristine recording for a pristine signal.Structo wrote:Not to mention it muddies up the FOH mix.High sound pressure levels onstage makes deaf musicians. When you're deaf you're not a musician anymore.
CaseyJones wrote:"The exception is the rule".mlp-mx6 wrote:Don't tell Beethoven!CaseyJones wrote:When you're deaf you're not a musician anymore.
I'm not Beethoven. I'll bet you're not, either.
I'm talking bass drum. Drums are an acoustic instrument. There's that crack you get right at the interface of the beater and the drumhead. It's easy to screw up in the mix.Structo wrote:In my experience, standing if front of the stage results in the least amount of bass. The wave form is simply to long.
Now go stand 20 ft away from the stage and that long wave will hit you in the face.
My least favorite situation would be a stage with a cinder block back wall and no backdrop. What makes it even worse is if there's a flat floor (like a dance hall not a theater) and the front wall is hard, too. The sound bounces off the walls and into the mics. Just for giggles I'll turn up a vocal mic or two before the band gets on stage, it sounds like a million people are in the hall. The crowd noise bounces off the back wall and into the mics. It's one of a few tricks I use to wind up a crowd.Structo wrote:In my opinion, a loud stage volume can definitely make it into the FOH mix, through open microphones, not to mention frequency cancelling issues from acoustic phase shifts.
Sure. But the board doesn't have to be isolated.Structo wrote:The reason a stage mix sounds like crap on a recording is because it is just that, a stage mix.
I'm sure you are aware that when recording live, they have another board acoustically isolated in another room to record from..