Cliff Schecht wrote: I'm betting that your squealing is from the two long yellow wire runs from the input to under the pot labeled Vol1 or the black wires running from the input to V1. I think chopsticking might not reveal the problem because your leads are pretty much set in place, an oscope probably will reveal where the squealing starts at least if you have access to one.
Those two yellows could be changed to shielded after I've exhausted everything else. It's actually a short run, I've done worse and gotten away with it. All the blacks are grounds. The 4 at the inputs are home runs from the jacks to the bus bar. Also every socket has pin one to ground using a nearby terminal to the chassis.
I'd start by tap testing stuff but I bet that only reveals how microphonic 6SC7's usually are

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Exactly!
martin manning wrote:What happens if you put a piece of ferrous metal between the OT and the preamp tubes?
Hahaha see the picts, like my cheese-grater Faraday cage?! That and the 2qt All Clad do have an effect on the squeal and lessen it. Covering any pre tube with the cocktail shaker seems to control the squeal, but best of all is with it over V2 - kills it dead, everything works perfect with V2 covered.
martin manning wrote:rp, you are saying only channel 2 squeals. Does that mean that it doesn't squeal if nothing is plugged into either channel, and it doesn't squeal if you plug into channel 1 (leaving channel 2's input grounded)?
Squeal happened on channel two with any input jack open or closed. And no difference in the squeal either way. I discovered I can make it a bit worse by bringing up V1 while V2 and the treb are maxed.
M Fowler wrote:At least 220k/75k to start with. 220k for the modded circuit. Mark
This sure would be a sweet fix. I will try it soon as it's easy. What's the logic behind it? Does the cathode-biased side have more gain than the grid-leak side? I noticed the 5D8 has 270K/270K in the same place. Is this where you're getting the 220K?
Milkmansound wrote:try chopsticking that lead from the mica cap on the treble pot away from the ground bus. Fender circuits are not super high gain like Marshalls - but lead dress plays a big part in keeping oscillations down in the preamp section. I find that if the volume pot squeals or sounds scratchy, its usually got something to do with the lead to the treble pot being to close to something. That wire is hot!
Moving it as much as I could, which isn't much, made no difference. I may have to run shielded here too. Normally I hate having to use shielded wire, amps seem to have a little more sparkle w/o it, but it's just a few inches total, should have no effect on the highs.
So for now:
1) try Mark's idea on the voltage divider.
2) shielded wire for the treble pot run
3) "" for the run to the 6J5
4) "" for the input jacks to V2
Questions - if the cause is internal why can I control it externally with the cocktail shaker over the V2?
Update as I run back and forth to the amp: I rolled so many combinations I forgot if I was coming or going. With metals in V2 no issues now. Just with the glass tubes - all the glass tubes. I was wondering why the metal case wasn't helping with shielding - it was. But they are so f'ing microphonic and limiting it only to metal tubes seems like a lame solution.
Worse case scenario: I could always make V2 grid-leak and leave it at that

Just so lame to have 4 identical channels. The cathode-biased side is real nice sounding too.
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