OK, my break in time is over.

And it might be hard to put all the hours together, considering the stops and starts at the different voltages I went through before arriving at the 14VAC number. Trying to put it all together then, I would say my finished time is 30 hours on 14VAC. And then there's the 6 hours of sunlight - maybe worth considering.
I was wasting my time at the 8 - 11 volts I had been using, that's the main discovery I made. This low a voltage is like throwing sticks at a granite monolith - worthless. I realize, too that Jim is presenting some great help but being careful that his info doesn't destroy a speaker that cannot deal with higher voltages. Which is a good way to be I think, I can't fault him for that. But, hey, if you have the brass, and are willing to be accountable to your own decisions, then at least consider that you need to REALLY move these cones and spiders to break them in. And for me, 14VAC seems to be the number.
OK, Jim said he has put over 90 hours on the Heritage Celestions that he has. Hm, my 30 hours vs. his 90 seems really out of balance. I don't know what to say about this. I can tell you this, and I think this is worth a consideration, after 30 hours at 14VAC, the cones will actually pulse height-wise BEYOND the cork surround. Which means that if you ran the felt that Glen uses, you would be slapping it on occasion. (No, I did not say 'spanking' it). Eh, but anyway, I ask you then, how much more could you ask of a speaker to be considered broken in? At this point I decided my speakers were done.
I loaded them into my two different speaker cabs that I have that I tried them in before and played them. (My 4/12 is waiting for two Weber recones). These are both slightly open back cabs, one is a two twelve, the other a 2/10 1/12 combo cab. Well, I am doing some sound samples for the LaMar PPIMV this week so I will use the 2/12 for this first hand. I am just in love with both cabs. What they have is the clarity of the Celestion, just like they had before they were broken in, but it is not as edgy and the md/bass is just warm and comfortable now. I have 'cut' but it is more musical now, rich in compressed sparkle. Well, you will hear what I mean. I couldn't be happier.
Jim, thank you for ALL the help here and your sharing of your methods! I know you are in the business of selling a product, but you are also a devoted Tone Freak that has no boundaries! Thank You!!!

Most people stall out when fixing a mistake that they've made. Why?